Margaret Verble

Zibby Owens / Apple Podcast

http://www.penfaulkner/2021/30/indigenous/

I was happy to moderate a conversation with Louise Erdrich, Kali Fajardo-Anstine, and Tommy Orange for the Pen/Faulkner Foundation. Nov. 2021.

https://www.bostonglobe.com/2021/10/28/arts/margaret-verble-falling-literature-through-hardy-austen/

https://crimereads.com/of-carousels-and-animal-cages-taking-inspiration-from-the-nashville-zoo/

An essay on how the Glendale Park Zoo captured my imagination.

https://www.frommers.com/slideshows/848442-best-places-2021-great-authors-on-our-america

I'm happy to be in the company of Cheryl Strayed, David Sedaris, Flannie Flagg, Jodi Picoult and a dozen other American writers who provided Frommer's with ideas for their Best Places to Travel in 2021. Frommer's asked for overlooked destinations which speak uniquely to the American experience. I picked Fort Gibson, OK, a place I truly love, and one awash in American history.

https://www.youtube.com/watch?v=dtD7rU_2AMA

My conversation with Roxana Robinson, Bobbie Ann Mason, and Annette Clapsaddle on historical fiction. Taped for the 2020 Kentucky Book Festival, during the pandemic.

I was delighted that BBC Radio3 asked me to participate in their commemoration of the 400 year anniversary of the sailing of the Mayflower by talking about how and why Squanto came to help the Pilgrims.   

https://www.bbc.co.uk/programmes/m000mlgk

I'm happy that the independant booksellers who sponsor the Reading the West Awards have included Cherokee America on their Adult Fiction shortlist. There's a public voting component to this award, and I hope you'll vote to help Cherokee America win. But, win or not, being shortlisted is an honor. Voting starts April 20, 2020. The picks are announced on May 20.

https://readingthewest.com/shortlist-2020/

I am thrilled by Cherokee America being named the winner of the Spur Award for Best Traditional Western by the Western Writers of America. It's particularly gratifying to recieve an award from other writers. And this group of writers includes both novelists and historians, all specializing in the West. I could not be happier for this book. You know, you write a book and send it out into the world, hoping for the best for it and for it's characters, and then you don't have any control. Good things happen to it, or not. It's a lot like being a parent. You do the best you can do, and then just hope and pray.

I think of myself as a novelist and rarely even recall my published short stories. But I've been contacted recently by students who are studying "Feeding the Ducks" in their Film and Fiction class at Arkansas State University. My answer to a question one student asked may be helpful to anyone new on the writing path, so I provide it below:

Is there a particular reason you choose to set your story where you did?

"Feeding the Ducks" is set in a small town in Western Kentucky. I visited that town a lot as a child and played there with my cousins. I think small towns (and constrained settings in general) are useful places to set fiction. People rub against each other in tight settings in ways they don't in larger ones. My two novels are set mostly in a particular river bottom and an adjacent small town. The novel I'm working on now is set in a park in Nashville. I think you get more opportunities for conflict if you constrict your setting.